Composition XI
The goal born from the encounter between the structures of Oscar Schlemmer's clothes, the synthesis of Wassily Kandinsky's shapes and Fortunato Depero's soul research, is to arouse emotions in people and make them creative, freeing them from a sense of wonder.
Referring to Futurism, we considered the relationship between man and machine to be of crucial importance, thus elevating the object to a creature endowed with a soul.
To achieve this goal we wanted to revisit the machine which in literature, art and entertainment, has often had this characteristic: the puppet.
// Shape modeling
The components (geometric figures) undergo some surface processing creating visual experiences (complex reflections of light) and tactile experiences (hammering texture).
This is the most ambiguous and casual moment, in which we find ourselves unable to understand and manage the individual moving components. We have to accept the randomness and be fascinated by the strong expressiveness of the moving face.
Composition XII
The game set
The potential of this structure lies in the freedom.
With this structure there is the possibility to imagine and create all the figures you want, thanks to the interchangeability of the shapes and hooks that connect them.
The sound of the metal and the intensity of the rotation generate musicality and trace dances in time and space.
ISIA Roma design | Teoria della forma | Colaetta Alessandro / Luca Martignon | 2018/2019
